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World Television Overview:

France

 





 
Main Channels   History, Recent Developments, Important Considerations   Audience Market Share

Arte
Iwww.arte-tv.com

Canal+
www.cplus.fr
dotcom@cplus.fr

France 2
www.france2.fr

France 3
www.france3.fr

France 5
www.france5.fr

LCI (TVF1)
www.lci.fr
infos@lci.fr

13ème Rue
www.13emerue.com

AB1
www.ab1tv.com

Bloomberg TV
www.bloomberg.com
programmes@bloomberg.com

Canal France Intl (TVF1)
www.cfi.fr
contact@cfi.fr

Canal J (TVF1)
www.canalj.fr
canalj@club-internet.fr

Canal Jimmy
www.canaljimmy.fr

Canal Satellite
www.canalsatellite.fr

Canal+ Horizons
www.canalhorizons.com

Forum Planète
www.forum-planete.tm.fr
planete_e@mth.net

Fox Kids France
www.foxkids.fr

Fun TV
www.funtv.fr

M6 Métropole TV
www.m6.fr

Mezzo
www.mezzo.fr

MTV
www.mtv.fr

Paris Première (TVF1)
www.paris-premiere.fr
parispre@club-internet.fr

RTL 9
www.rtl9.com
rtl9@rtl9.com

RFO SAT
www.rfo.fr/ocean/sat.htm

TV5 (TVF1)
www.tv5.org

Télémélody
www.tele-melody.com

Téva
www.tevatv
presseteva@m6.fr

TPS
www.tps.fr
tps@corp.fr

Trace TV
ostv@trace33.com
www.trace.tv

VH1
www.vh1.com

Voyage (TVF1)
www.voyage.fr
prod@voyage.fr

 

 

 

France (population 60,000,000)

French TV is largely analogue, with 7 networks on 6 channels currently in existence. Until the 1980s only 3 networks existed; of these, France 3 is largely national in outlook, but does cover news regionally. The fifth channel, France 5, is split into 2 networks, offering educational daytime programming and ARTE (franco-German cultural content) thereafter. The fourth channel carries Canal+, which is thematic (cinema and sport) and subscription-based.

Local analogue services have suffered setbacks due to cable and production issues (e.g. Toulouse, Lyon, Alpes), but Clerment-Ferrand (see EAC above) and Bordeaux are rising from the ashes.

Cable is not well-supported in France, but TPS and Canal Satéllite together distribute many satellite networks. Digital terrestrial is still embryonic.

France 2, France 3 and France 5 are all from the same stable, France Télévision. ARTE remains franco-German, despite attempts to add it to the stable at the dawn of the new millennium. France Télevision is behind TPS, the bouquet satellite, and RFO covers activities outre-hexagone. Internationally, France is a partner in TV-5, which relies partially upon public service contributions, including France 2's news slots.

TF-1 is the main private sector player, with LCI providing news 24/7 and M6 (which relies upon what has been dubbed 'time-shift' programming) following. M6 is actually run by the RTL group (an affiliate of Bertelsmann) and Suez-Lyonnaise, which is linked to cable TV via Noos. Canal+, which is carried by Canal Satéllite, is part of the Vivendi Universal group. It is represented internationally in Italy, Spain, Belgium and Poland.

In the thematic market, Hachette (Lagardère) and AB (RTL-9) are transmitted via Canal Satéllite.

Historically, public TV was perceived as the protector of the Republic, its principles and ideals and above all the guaranteed survival of French culture across the French-speaking world. This is still the case, although less so with recent insurgent globalising factors, such as reality TV.

Differences in definition and colour standards have been used previously to throw up a protectionist wall against renegade foreign imports, and until the emergence of pay channel Canal Plus in the early '80s, there was no commercial TV. Even here, a remit to reinvest in French Culture through le cinéma français was present, and Mittérand only allowed music channel TV6 to emerge as a French riposte to MTV. Le 5 was set up essentially to support TV6 financially through entertainment programming, and as a further soap box from which Mittérand could preach across the biased reporting of news items. La 7 emerged in 1976 to counter Berlusconi's Italian-flavoured approach to running Le 5, and its heavily cultural and Euro-friendly remit gave rise to Arte, the Franco-German channel, after a 7pm total-francophone watershed. Le 5 died of intransigence on commercial issues in the early '90s, and TV6 was subsequently Americanised, under the new name of M6. MCM was set up as a French music alternative, and is today more popular in France than MTV.

Broadcasting is now regulated by the Conseil Supérieur Audiovisuel (CSA). Télévision sans frontiers is a transparently French concept, and eSCape tv's Euro-friendly package is arguably tailor-made to fit in with France's alternative approach to TV.  Whichever way, France is presently heading along the same populist, commercial highway as the rest of the world, with 'la culture audiovisuelle' now more of a by-way than a highway.

 

 

 

TF-1                33.4%

France-2        22.1%

France-3        16.8%

M6                   12.7%

Canal+            7.5%

Cinquième/ARTE      3.4%